Friday, February 11, 2011

Student Teaching Day 20


My Day
Today I worked with the Concert Band, Symphonic Band, Wind Ensemble, and observed and played with the guitar class.  I video taped myself teaching several lessons in the Wind Ensemble.  

Instrument techniques
Brass
          When brass players (trumpets) are sharp make sure the student isn’t putting too much pressure  
          against their mouth.  


 Video and pictures
The following is a video of me teaching a section in "An American Elegy."  I did a lot better this time at saying exactly what I wanted and successfully communicating it to the students.  I need to work on keeping my elbow and shoulder down during my conducting. Please feel free to click the video to take you to the youtube link so my method of instruction is more readable on the video. 
  

The following are some pictures of me teaching today.  


 

Student Teaching Day 19

My Day
Today I observed with a different music program in the district.  I had a lot of fun and it's always good to see as many teaching styles as possible so I can learn from them all.  I observed a music theory class, concert band, jazz band, and a musical pit rehearsal.  This band is playing a piece I am conducting, "An American Elegy," so it was really cool to see a different interpretation of the composition. 

General Instruction
 Music Theory
It was really great seeing a high school music theory class taught.  I learned this crazy, amazing way to teach students how to figure out how to build a major chord.  They use the following chart:

 
For chords built on any version (# or b) of G, C, and F the student remember “same.”  They lay down the first note and the two notes they stack on top have the same accidental.  For example, build a major triad on F = F A C or Gb = Gb Bb Dd.  The next group is the “oreo” chords. For chords built on any version (# or b) of E, A, and D the student remember “oreo.”  They lay down the first note and the top note has the same accidental as the bottom so the middle is always raised because the “cream filling is the good part, (raised for yummy-ness) part of the oreo.  For example: E = E G# B. For chords built on any version (# or b) of B the student remember “Pam.” (Such as Pamela Anderson).  They lay down the first note and the top to notes are raised just like something towards the top is raised on Pam Anderson (use your imagination.)  I’m sure another example can be used but these seemed to work great with the students!   If anyone would like me to explain this in more detail just let me know!
Band
-When students are out of tune ask them and yourself whether it is the tone, volume, or pitch.
            -Quick pencil checks are great.
-I really liked the piece “Bayou Breakdown” by Brant Karrick that the band played.

Student Teaching Day 18

My Day
Today was the day after the snow day so the schedule was altered.  Every class came in for a shorter time by combining both days that normally alternate.  The Advanced Jazz Band played through the Real Books to get ready for some combo performances.  I ran my pieces with the Jazz Band and Concert Band.  The percussion class worked on their parts for Concert Band. 


General Instruction
Jazz
            -Real Book with combo groups
            -Use the term “musically immature” (example: when rushing)
            -Goodness Box
                        -Mention road map at begging
                        -Review scales that can be used to solo
                       

Tuesday, February 8, 2011

Student Teaching Day 17


My Day
Today I listened to the orchestra rehearse and then I listened to scale tests and musical pit auditions.  I rehearsed the concert band on the piece “The Phantom of Dark Hollow” and I felt it went well.  I also ran a clarinet sectional and we got a lot done.  We worked on rhythms and I found the best way to have the students get their interlocking rhythms was to have every other student count 1+2+3+4+ and the other students play, and then switch.  I rehearsed the Wind Ensemble with “An American Elegy” and for some reason it did not go as well as it has before.  I think I am beginning to repeat or work on stuff that we have already hashed out even though it needs it, but I need to find a better way to word it and work it out.  Also, this day proved to me that even the best groups can have off days.  I worked on “Kentucky 1800” with the Symphonic Band and it went really well.  I felt more prepared than I have been yet, and I was able to really hear what was going on and what needed attention.  I would still like to really work on developing my ears and ability to hear mistakes more quickly and speed up my response time. 
 
General Instruction
Orchestra
            -Tune at the beginning, concert master leads
                        -Tune with drone, tune each string
                        -Tune (re-tune) throughout rehearsal if needed
            -Scale tests, individual tests in office for teacher
                        -Hand positions, bow positions, intonation
                        -Phrase in scales, sync bowing
Band
            -Triplets
            -During warm up work on not breathing for 4 measure, phrasing
            -Counting
                        -Version 1: holding the beat one “ooooonnnne” = quarter note
                        -Version 2: count sub divisions while clapping rhythm (I like this one!)
-Version 3: say “think” during the hold of a long note for how many beats “One think” = quarter note
            -While fingering along have horn in playing position
            -“An American Elegy”
                        -m. 117 to end
                                    -Intonation, trumpet solo, suspensions (trombone)
            -“Kentucky 1800”
                        -Letter D to end
                                    -Style changes, play scale alternating styles
                                    -Phrasing, melody set phrase, accompaniment follow
                        -Next time work on off beats and check notes in brass

Sunday, February 6, 2011

Student Teaching Day 16

My Day
I began my day with helping to organize jazz band audition material.  I then observed, played with, and directed the jazz bands.  After that I played with the Wind Ensemble and directed “An American Elegy” which went really well.  I feel like I was more prepared than I have been and I got a lot of quality teaching and learning done.  I have noticed that it’s really important for the director's playing ability to be good so that stuff can be demonstrated.  I will definitely keep playing my instruments, but now I am even more motivated to keep my technique up.  These bands I’m observing are great in part because the directors can whip out their horn at any moment and demonstrate exactly what they want.  

Instrument techniques
Brass
                  -A plunger makes the pitch flat

General Instruction
Jazz
-Scales! Same scale pattern as concert band but swing.  Play around the circle of 4ths/5ths, major and then mixolydian
-Demonstrate lead players listening back.  Lead sax listens back to lead trumpet players, everyone listens like this. 
-Listen to cymbal for time
-Put metronome by the director in front where the drummer can see it, director changes tempos but keeps metronome silent.
-Ask drummer to give back beat while sections are playing.
-Book: “Swing Classics for Jazz Ensemble” Published by Hal Leonard
-Trumpets and others need to add vibrato

Quotes and Other Random Happenings
Analogies!
            -Dropping your jaw is like whistling low.

Thursday, February 3, 2011

Student Teaching Day 15

My Day
Today I copied and put together the audition music for the concert bands.  It was good for me to see what kind of material should be ready and what the expectations are.  All of the audition material was pulled from the all-state audition books.  In concert band I taught most of the hour for the first time and I found that it went smooth.  I made sure before this rehearsal I had goals and specific things I wanted to work on.  This helped me have a lot more direction.  Although there are always variables that will throw off what I want to accomplish, by having a line of sight I did a lot better with keeping the ball rolling.  After I taught I took notes on what I worked on and what I accomplished with the band so I have a solid reference point when designing my goals for next class.  In Wind Ensemble and Symphonic Band I sat in and played with the clarinets.  We sight read a piece in one group, which is good practice for me as well, and I helped the clarinets with a tricky section in another piece in the other group.  At the end of the day I played with the guitar class. 

Instrument techniques


General Instruction
Band
            -With the Concert Band I worked on “The Phantom of Dark Hollow”
                        -Entrances at the beginning to work timing, pitch, correct notes, tone
-m. 9 beat 3 in the tenor sax and horn, melody, phrasing, solid entrance
-m. 39 the “engine” of the piece, articulate, tempo, I have student vocalize correct articulations with the metronome, isolate section to find out who is dragging
-m. 56 phrasing with the melody and working on the accompaniment maintaining tempo
-m. 59 entrance of low brass, play f not mp
-Last 4 measures to work on balance, cut off, crescendo, release of last note
            -Mix it up, sit by a person with a different instrument than you
            -Psychology
-“Sit up,” afterwards say, “Good job only two of you had to actually sit up so you are already doing great with posture.”
-Have students work on watching the conductor, have students sizzle quarter notes and the conductor changes the tempo
-Run circle of 4ths/5ths exercise at the beginning of class
-Say directions over the band rather than stopping


Quotes and Other Random Happenings
Analogies!
-Compare balance to a speaker of a stereo, the small circle on the speaker is the treble voices, the large is the bass voices.  Play like that.
-Crescendo analogy, f is boil, your job is to increase the heat (the students)
Prep
-I will be working on “Kentucky 1800” next MWF, and Friday will be a full run through
Discipline
-I had my first issue with discipline (major issue).  Several students in a band were making derogatory comments to each other, threatening each other, etc.  I heard this when I was sitting by them and I immediately told the director.  The main reason I told is because the students were saying things about killing and life threatening.  Joke or not, better safe than sorry.  The director spoke to the students and they denied it, but they were still given a warning.  I asked the director what could I say or do to make sure my teacher to student relationship wasn’t damaged, and the director said to, rather than say anything in the negative, next time I direct the rehearsal and those students do well, say something like, “Thank you, you guys are doing really well, a lot better.”  This way it stays positive but they are aware that I am still watching.  This puts me as an authority figure and not trying to be their friend to gain respect, but making them feel like they have earned it. Genius!

Student Teaching Day 14

My Day
Today the jazz bands sight read music and the concert bands worked a lot on tone and scales. 

Instrument techniques
Low Brass
                  -to help get low notes out put lower jaw forward

General Instruction
Jazz
            -Sight reading, have students sing
            -Soloing
-play scale, noodle on their own, quote rhythms or melodies from piece, make phrase, teach rhythm or melodies in each chord change
            -Crescendo through phrase especially repeated patterns
            -Check drums and rhythm section throughout
                        -Make sure drum fills are setting up for the bands notes/entrances
                        -drive with high hat
            -Making long articulations long will help pull tempo back
            -Balance, bass line needs to come out
Band
            -Scales!
-Teach the circle of 4ths/5ths by writing G, C, F, Bb, Eb, Ab, Db, Gb on board and make sure students understand how to transpose and which pitch to start on.  Pattern (scale degree) 1234543212345432123456789876567898765678987654321. Move around circle

Quotes and Other Random Happenings
Other
-Trust students until you have a reason not to, and make sure they hear you say this!
-Write the rehearsal schedule on the board for the week

Tuesday, January 25, 2011

Student Teaching Day 13

My Day
Today the Advanced Jazz Band was preparing for their performance at the state music conference this week so they were on stage doing sound checks.  They put on a concert for the school that anyone could come and watch.  I really like the way the lead tenor player plays his solos.  He is very aware of what is going on around him and he has good flow and shape to his solos.  I also conducted the Wind Ensemble through the piece Nimbus 2000 and that was a blast!  They did really well and I hope they had a lot of fun because I sure did.  Next I worked with the Symphonic Band on the piece Kentucky 1800.  I felt I did good with this piece because I really prepared my score well so I knew who should be playing what and when.  At the end of they day I played along with some mallet players in percussion ensemble.  


Monday, January 24, 2011

Student Teaching Day 12

My Day
Today I observed the orchestra rehearsal; I always enjoy learning more about string instruments.  I conducted the concert band through a piece and today my conducting was not very good.  I really need to practice conducting everyday to work on my consistency.  I conducting the wind ensemble and it went good. 

Instrument techniques
Brass
-I need to become best friends with my brass methods book and look and memorize EVERYTHING! 
-Intonation tendencies with partials
-Low brass get chin off chest because of bad tone

General Instruction
Orchestra
-Important at the beginning of class on Mondays to take an interest in students’ lives/weekends to develop good rapport
-Make sure students know how to mark music (accidentals)
-“String slap:” low strings vibrate on notes and hits the board….not good.
Band
-Break down transposing, how to find minor scale by starting on 6th scale degree of major with the same key signature
-With beginning brass take the time (especially with warm ups and scale) to check correct pitches
-Students should be able to know (of a piece) the key, key change, time signature, for, etc.
-As a director know style with grace notes whether they are before or on the beat
-Define to your students what a “pick up note” is
-Have everybody play except the melody to hear/teach phrasing in harmony
-Dynamic of performance from audience perspective
-Harmony/drone notes to phrase follow melody
Conducting
            -Ictus! Be consistent.
            -Make style changes obvious

Quotes and Other Random Happenings
Analogies!
                  -Melt one note into another or into a rest like “Butter on a hot skillet.”

Videos & Pictures

Here is a video of parts of my rehearsal with the Wind Ensemble.  My apologies for the poor sound quality, I am speaking to them in between playing, and if you click on the video you will be able to open it in youtube full screen to see the writing.


Friday, January 21, 2011

Student Teaching Day 11

My Day
Today I observed the Advanced Jazz Band and stood in with the trumpets and rhythm section.  I really like how the trumpet players were taking ownership for their parts as a section.  They were helping each other and not just concerned about their own part; they saw the big picture.  I taught the Jazz Band through The Goodness Box and I thought rehearsal went good for the most part.  I definitely got the end of the piece cleaned.  Right now I think my biggest weakness while working with the jazz band is really being able to example and sing the style they need to play in.  I need to become more comfortable with jazz vocalizing.  I sat in and played with the Wind Ensemble and Symphonic bands, and helped with the percussion ensemble at the end of the day. 

Instrument techniques


General Instruction
Jazz
-When tuning or after tuning have section (ex. Trumpets) playing split evenly in 4ths or 5ths to hear and tune to the harmonic interval.
-“Bop it,” means to just play the front of each note in the rhythm throughout the piece short to gain rhythmic accuracy
-Use the phrase “Crisp shorts,” for rhythm and style
-Have band or section class their releases in the music
-Know the difference between ballad accents, hard jazz accents, swing, etc.
-To stop rushing have band focus on lengthening long notes, also isolate the rhythm section, then layer on top. 
-Drummer needs to count off in style

-This following picture is showing jazz section balance and concert band balance within a section.



Quotes and Other Random Happenings
“Conducting the Rampart Wind Ensemble is like driving a Ferrari”

Thursday, January 20, 2011

Student Teaching Day 10

My Day
Today I observed the orchestra, I conducted and taught a piece with the Concert Band and was observed by my supervisor, I set in and played my clarinet and bass clarinet with the Wind Ensemble and Symphonic Band, and helped out with the Beginning Guitar class. 

Instrument techniques

General Instruction
Orchestra
            -Know vocabulary! Example: Detacha, Martole (spelling?)
-During the rehearsal of a piece, stop and give a pitch center to the string players so they have a reference point and aren’t just guessing
-The students are asked to write their warm-ups on a piece of staff paper, rather than looking off a book.  This way they actually learn what they are writing out and understand how it is formed.  This can be varied with different scales, rhythms, and meter.
-Have the students play after the metronome is turned on and clicks 4 or 8 times, rather then the director having to count every time.  This is precise (sound). 
-When teaching scales in thirds, isolate the turn around
-Break down 6/8 time all the way to sixteenth notes so the students understand.
Band
-Today during my band rehearsal I tried to focus on controlling my conducting more, digging into some of the brass sections, and stepping off the podium so that I could rely on my ears more than my eyes. 
-Don’t use hard vocalizes for concert band, (no dit, use dah, but short instead)

Quotes and Other Random Happenings
            -Thought this was funny...

Wednesday, January 19, 2011

Student Teaching Day 9


My Day
Today I observed the Advance Jazz Band rehearse during their preparation for the state music convention.  They are to the point where they know the music and are working on musicality.  In this group, as well as all of the others, I try to vary my position from sitting in front of the group to get a general sound, standing next to different sections, and sitting in and playing with different instruments.  In the Jazz Band today I really tried to hang out in the rhythm section and follow the drum set part and bass and piano parts and comps.  I feel like I am getting better at hearing balance in the Jazz Band after sitting in front of the whole group and with individual sections during sectionals.  The Wind Ensemble rehearsal went really well today when I warmed the group up and rehearsed a piece.  I need to improve on tuning into specific section’s balance and pitch. 
 
Instrument techniques
Trombone
-If you see an f# or Bnat it is difficult for the trombones and that part will definitely need work.

Percussion
-Percussion technique with dynamics contrast

Trumpet
            -“Mute” means straight mute if unspecified


General Instruction
Jazz Band
-When vamping sections brass can put their part in a comfortable range to save chops
-When drummers are trading solos, change timbre of sound by using drums, high hat, cow bell, etc.
-When a certain piece has a certain “sound” or style make sure the students know and can differentiate
-To help with dynamics and style show through conducting what it should look like, then students play the sound to match the look
-Pay attention to drummers to keep the tempo locked in
-4 measures, 1 breath.  Talk phrasing in jazz music.
-play drums with parts (segments) to where they line up with the wind players (weird) entrances
-Bosa Nova, lay back don’t rush the +’s

Band
-Have students locate intervals in piece (example, find tri tones through Fortress by Frank Techeli)
 

Quotes and Other Random Happenings
"Touch your shoulders and play it straight."

Conducting
            -Drop arms
            -Breath to prep
            -Balance: pay more attention to inner parts of a section, or 3rd players
            -On fermatas prep the next beat more clearly
            -In order to better hear what is going on in a section, don't look at the score so much or even             step away off podium
            -After rehearsal reflect immediately
            -"Subdivision" break down and explain how to subdivide
            -Vocal cue, be exact
            -Set goals, reflect on self
    
 

Tuesday, January 18, 2011

Student Teaching Day 8

My Day
-Today was Orchestra, Concert Band, Wind Ensemble, Symphonic Band and Guitar Class.  There was also a jazz band rehearsal after school because the top Jazz Band is preparing to play at a state music convention.  Today was my first time conducting and teaching the Concert Band and I really had a lot of fun.  This group is mostly freshman and I really got into the nitty gritty of the piece.  I really like how my mentor teacher hops in while I'm teaching and demonstrates an extension to what I am doing; it really helps me learn and respond quickly!

Instrument techniques
-Pay attention to saxes jaws on tonguing, jaw shouldn’t move

General Instruction
-Orchestra
            -Have students write out scales, check, peer check, play, sync bowing
-Band
            -Triplets: feel in 4/4 Tri-pl-et, in 6/8 1-la-le
-Sound: think brick, not sneaking in or sneaking out, think group effort in keeping the “balloon of sound” a float, can’t all breath at the same time.
            -Breathing exercises:
                        -check posture, sit up, feet in floor
                        -“The Horror”
            -Counting/clapping with metronome
                        -students understand how parts fit in
            -Rehearsal of piece: work backwards
            -breath marks by the composer are not optional
            -talks to concert band about passion and commitment, sets 
             mentality early
-Scale for warm up, chromatic, slow quarter notes, triplets staccato and slurred, first in the low octave then in the middle octave
-Intonation tendencies, know individual pitch in general, during crescendos and decrescendos, and as the whole group sound
-Guitar
-teaching multiple notes together, teach and say notes, tab, read the page/music
-Conducting
            -Keep even beats
            -drop elbows

Quotes and Other Random Happenings
-High school students are perverted...don't even go there.

Student Teaching Day 7

My Day
-Today was Orchestra, Concert Band, and guitar class.  Today was my first experience playing a guitar and I really enjoyed it.  I picked up the basics pretty quick, because I was also teaching them.  I really like to sit in with the students during concert band and play, because it helps me see a different angle of teaching and learning.

Instrument techniques

General Instruction

Quotes and Other Random Happenings

Student Teaching Day 6

My Day
-Today was Jazz band, Wind Ensemble and Symphonic Band, as well as a percussion class. 

Instrument techniques

General Instruction

-General
            -Eastman Counting System (Texas)
                        -1 te ta te…
-Jazz Band
            -Rather than counting off every time, give 8 clicks on the metronome
            -tonguing: “tuh” not “tut” 

Quotes and Other Random Happenings

Student Teaching Day 5

My Day
-Today was Jazz band, Wind Ensemble and Symphonic Band, as well as a percussion class. 

Instrument techniques

General Instruction
-Jazz
            -Mix group up
-In a soli sax section the tenor sax should be the predominate voice, not the lead alto
-Help with jazz singing/articulations/style: Essential Elements for Jazz Ensemble by Mike Steinel, Standard of Excellence Advanced Jazz Ensemble by Dean Sorenson and Bruce Pearson
-Band
            -Interval work (Remington exercise)
                        -unison = 1
-don’t breath between (brass directed) big breath and last through last note/interval
            -Be in tone to tune (good sound)
-Bb scale quarters then eighths, arpeggios, first just keys, then keys and air, then actually play
-tonguing: use tongue barely, interrupt tongue, don’t move a lot
 

Quotes and Other Random Happenings

Student Teaching Day 4

My Day
-Today I observed the orchestra rehearsal, and I was surprised to see how much of my band knowledge transferred easily over to orchestra!  We had a brass class because the concert band was split into two groups.  This was a lot of fun for me as a woodwind player, to really be immersed to understand how the brass players play.  I worked with the Wind Ensemble next.  This was my first time conducting the Wind Ensemble, which is the top band, and it was incredible!  I conducted through An American Elegy by Frank Ticheli and it was one of the best moments of my life.  The students played beautifully and I loved the rush of it.  Teaching and conducting a band is exactly where I am supposed to be!

Instrument techniques

-Brass
            -Warm up: lip slurs, air first, relax, yawn, open throat
            -A lot of buzzing
            -Trombone tonguing: Light tongue, slur
-Technique: sit up, valves up and down, 1 right way (not at an angle because it will damage the vertical valve)
-“Don’t hold your baritone in the taco positions.”

General Instruction
-Band
-Tuning: if your wrong, STOP-FIX-START, don’t bend around or continue to play wrong

Quotes and Other Random Happenings
-“Don’t hold your baritone in the taco positions.”
            -The students totally get this analogy! 

Thursday, January 6, 2011

Student Teaching Day 3

My Day
Today was the first day that the students were at school.  I went to a drug free assembly with them, and then observed all of the music classes for the day which included: Advanced Jazz Band, Beginning Jazz Band, Wind Ensemble, Symphonic Band and Percussion Ensemble.  In between classes and after school I looked through scores so that I could get some ideas of pieces I would like to conduct with the bands. 

Instrument techniques
-Brass players should be careful not to close or clench their teeth because it really hurts the tone they produce. 

General Instruction
-During jazz band the director was teaching staccato articulation and the way he described this was to "dit" the note.  He had the students say it and play it, and this idea of "dit" seemed to worked better than anything I have seen.
-When teaching improvisation to the jazz band students, the director said he uses the analogy of talking.  Just like a person has many words they can choose from to form a sentence, the jazz players have many sounds/rhythms/motives they can choose from to form their musical sentence. 
-During the band class the students were playing an Italian piece and to communicate and direct the style the teacher cheesed it up with Italianish analogies; the kids ate it up and it worked!

Quotes and Other Random Happenings
-I really like that in the music library the concert band pieces are organized by names of scores and the scores only.  This saves a lot of room and makes it easy to flip through all the literature. 

Wednesday, January 5, 2011

Student Teaching Day 2

My Day
Today I attending meetings with the high school and middle school band directors in the school district.  This was good to get to know everybody and talk about common problems and good things going on across the district.  I knew that band directors had to hold multiple roles, secretary, treasure, etc, but seeing it in action was a whole other thing.  Listening to these band directors plan and budget for a long period of time-they really have their hands full!  I try to spend my time in these meetings just doing a lot of listening and not talking, because then I really learn was they are doing. 

Instrument techniques
-I am going to start bringing my guitar to the beginning guitar class so I can learn how to play it and teach it better.  I am going to be using the book "Guitar Methods 1" by Aaron Stang.

General Instruction
NA

Quotes and Other Random Happenings
NA

Tuesday, January 4, 2011

Student Teaching Day 1

My Day
Today I went to a day of meetings with my supervising teacher and some of the other band directors in the area.  We had a speaker at the beginning of the day that I really liked by the name of Dr. Rick DuFour.  The discussion was about education collaboration and assessment...awesome lecture!  I spent the rest of the day visiting and learning tons of useful information from a handful of band directors, and then attended the all city band rehearsal in the evening which was a great experience to see so many students come together from all over the city to play and build relationships.  I observed many of the directors running sectionals and definitely learned a lot!

Instrument techniques
-When the student is playing a triangle, have them hold it with their thumb and finger and don't let     them interrupt or dampen the sound. 
-The students were working on trumpet buzzing.  I really liked how the director had the students buzz an entire section of a piece to get a better sound and feel.  There is a new book about buzzing called "Buzzing Basics," by James Thompson.

General Instruction
-I saw something interesting during a sectional; the director asked the students to mark a measure but one student wasn't paying attention so he didn't know what measure to mark.  As a director a solution to this would be to make sure you say the actual measure number, not just "that measure."  I think that saying an actual number will get the students' attention, just a thought.
-To achieve good releases on notes, have the students consciously take a breath on the following rest.  This worked so well!
-Tell students to go home and listen to all of their band pieces on youtube, and multiple versions too.
-The 3 levels of listening, 1) Self, 2) Section, 3) Full Ensemble.  The students seemed to really latch onto this and started to listen more, even during their rests.

Quotes and Other Random Happenings
- "Sizzle for clarity." While explaining the why of sizzling parts before playing.
-Band directors chew gum in tempo!