Friday, February 11, 2011

Student Teaching Day 20


My Day
Today I worked with the Concert Band, Symphonic Band, Wind Ensemble, and observed and played with the guitar class.  I video taped myself teaching several lessons in the Wind Ensemble.  

Instrument techniques
Brass
          When brass players (trumpets) are sharp make sure the student isn’t putting too much pressure  
          against their mouth.  


 Video and pictures
The following is a video of me teaching a section in "An American Elegy."  I did a lot better this time at saying exactly what I wanted and successfully communicating it to the students.  I need to work on keeping my elbow and shoulder down during my conducting. Please feel free to click the video to take you to the youtube link so my method of instruction is more readable on the video. 
  

The following are some pictures of me teaching today.  


 

Student Teaching Day 19

My Day
Today I observed with a different music program in the district.  I had a lot of fun and it's always good to see as many teaching styles as possible so I can learn from them all.  I observed a music theory class, concert band, jazz band, and a musical pit rehearsal.  This band is playing a piece I am conducting, "An American Elegy," so it was really cool to see a different interpretation of the composition. 

General Instruction
 Music Theory
It was really great seeing a high school music theory class taught.  I learned this crazy, amazing way to teach students how to figure out how to build a major chord.  They use the following chart:

 
For chords built on any version (# or b) of G, C, and F the student remember “same.”  They lay down the first note and the two notes they stack on top have the same accidental.  For example, build a major triad on F = F A C or Gb = Gb Bb Dd.  The next group is the “oreo” chords. For chords built on any version (# or b) of E, A, and D the student remember “oreo.”  They lay down the first note and the top note has the same accidental as the bottom so the middle is always raised because the “cream filling is the good part, (raised for yummy-ness) part of the oreo.  For example: E = E G# B. For chords built on any version (# or b) of B the student remember “Pam.” (Such as Pamela Anderson).  They lay down the first note and the top to notes are raised just like something towards the top is raised on Pam Anderson (use your imagination.)  I’m sure another example can be used but these seemed to work great with the students!   If anyone would like me to explain this in more detail just let me know!
Band
-When students are out of tune ask them and yourself whether it is the tone, volume, or pitch.
            -Quick pencil checks are great.
-I really liked the piece “Bayou Breakdown” by Brant Karrick that the band played.

Student Teaching Day 18

My Day
Today was the day after the snow day so the schedule was altered.  Every class came in for a shorter time by combining both days that normally alternate.  The Advanced Jazz Band played through the Real Books to get ready for some combo performances.  I ran my pieces with the Jazz Band and Concert Band.  The percussion class worked on their parts for Concert Band. 


General Instruction
Jazz
            -Real Book with combo groups
            -Use the term “musically immature” (example: when rushing)
            -Goodness Box
                        -Mention road map at begging
                        -Review scales that can be used to solo
                       

Tuesday, February 8, 2011

Student Teaching Day 17


My Day
Today I listened to the orchestra rehearse and then I listened to scale tests and musical pit auditions.  I rehearsed the concert band on the piece “The Phantom of Dark Hollow” and I felt it went well.  I also ran a clarinet sectional and we got a lot done.  We worked on rhythms and I found the best way to have the students get their interlocking rhythms was to have every other student count 1+2+3+4+ and the other students play, and then switch.  I rehearsed the Wind Ensemble with “An American Elegy” and for some reason it did not go as well as it has before.  I think I am beginning to repeat or work on stuff that we have already hashed out even though it needs it, but I need to find a better way to word it and work it out.  Also, this day proved to me that even the best groups can have off days.  I worked on “Kentucky 1800” with the Symphonic Band and it went really well.  I felt more prepared than I have been yet, and I was able to really hear what was going on and what needed attention.  I would still like to really work on developing my ears and ability to hear mistakes more quickly and speed up my response time. 
 
General Instruction
Orchestra
            -Tune at the beginning, concert master leads
                        -Tune with drone, tune each string
                        -Tune (re-tune) throughout rehearsal if needed
            -Scale tests, individual tests in office for teacher
                        -Hand positions, bow positions, intonation
                        -Phrase in scales, sync bowing
Band
            -Triplets
            -During warm up work on not breathing for 4 measure, phrasing
            -Counting
                        -Version 1: holding the beat one “ooooonnnne” = quarter note
                        -Version 2: count sub divisions while clapping rhythm (I like this one!)
-Version 3: say “think” during the hold of a long note for how many beats “One think” = quarter note
            -While fingering along have horn in playing position
            -“An American Elegy”
                        -m. 117 to end
                                    -Intonation, trumpet solo, suspensions (trombone)
            -“Kentucky 1800”
                        -Letter D to end
                                    -Style changes, play scale alternating styles
                                    -Phrasing, melody set phrase, accompaniment follow
                        -Next time work on off beats and check notes in brass

Sunday, February 6, 2011

Student Teaching Day 16

My Day
I began my day with helping to organize jazz band audition material.  I then observed, played with, and directed the jazz bands.  After that I played with the Wind Ensemble and directed “An American Elegy” which went really well.  I feel like I was more prepared than I have been and I got a lot of quality teaching and learning done.  I have noticed that it’s really important for the director's playing ability to be good so that stuff can be demonstrated.  I will definitely keep playing my instruments, but now I am even more motivated to keep my technique up.  These bands I’m observing are great in part because the directors can whip out their horn at any moment and demonstrate exactly what they want.  

Instrument techniques
Brass
                  -A plunger makes the pitch flat

General Instruction
Jazz
-Scales! Same scale pattern as concert band but swing.  Play around the circle of 4ths/5ths, major and then mixolydian
-Demonstrate lead players listening back.  Lead sax listens back to lead trumpet players, everyone listens like this. 
-Listen to cymbal for time
-Put metronome by the director in front where the drummer can see it, director changes tempos but keeps metronome silent.
-Ask drummer to give back beat while sections are playing.
-Book: “Swing Classics for Jazz Ensemble” Published by Hal Leonard
-Trumpets and others need to add vibrato

Quotes and Other Random Happenings
Analogies!
            -Dropping your jaw is like whistling low.

Thursday, February 3, 2011

Student Teaching Day 15

My Day
Today I copied and put together the audition music for the concert bands.  It was good for me to see what kind of material should be ready and what the expectations are.  All of the audition material was pulled from the all-state audition books.  In concert band I taught most of the hour for the first time and I found that it went smooth.  I made sure before this rehearsal I had goals and specific things I wanted to work on.  This helped me have a lot more direction.  Although there are always variables that will throw off what I want to accomplish, by having a line of sight I did a lot better with keeping the ball rolling.  After I taught I took notes on what I worked on and what I accomplished with the band so I have a solid reference point when designing my goals for next class.  In Wind Ensemble and Symphonic Band I sat in and played with the clarinets.  We sight read a piece in one group, which is good practice for me as well, and I helped the clarinets with a tricky section in another piece in the other group.  At the end of the day I played with the guitar class. 

Instrument techniques


General Instruction
Band
            -With the Concert Band I worked on “The Phantom of Dark Hollow”
                        -Entrances at the beginning to work timing, pitch, correct notes, tone
-m. 9 beat 3 in the tenor sax and horn, melody, phrasing, solid entrance
-m. 39 the “engine” of the piece, articulate, tempo, I have student vocalize correct articulations with the metronome, isolate section to find out who is dragging
-m. 56 phrasing with the melody and working on the accompaniment maintaining tempo
-m. 59 entrance of low brass, play f not mp
-Last 4 measures to work on balance, cut off, crescendo, release of last note
            -Mix it up, sit by a person with a different instrument than you
            -Psychology
-“Sit up,” afterwards say, “Good job only two of you had to actually sit up so you are already doing great with posture.”
-Have students work on watching the conductor, have students sizzle quarter notes and the conductor changes the tempo
-Run circle of 4ths/5ths exercise at the beginning of class
-Say directions over the band rather than stopping


Quotes and Other Random Happenings
Analogies!
-Compare balance to a speaker of a stereo, the small circle on the speaker is the treble voices, the large is the bass voices.  Play like that.
-Crescendo analogy, f is boil, your job is to increase the heat (the students)
Prep
-I will be working on “Kentucky 1800” next MWF, and Friday will be a full run through
Discipline
-I had my first issue with discipline (major issue).  Several students in a band were making derogatory comments to each other, threatening each other, etc.  I heard this when I was sitting by them and I immediately told the director.  The main reason I told is because the students were saying things about killing and life threatening.  Joke or not, better safe than sorry.  The director spoke to the students and they denied it, but they were still given a warning.  I asked the director what could I say or do to make sure my teacher to student relationship wasn’t damaged, and the director said to, rather than say anything in the negative, next time I direct the rehearsal and those students do well, say something like, “Thank you, you guys are doing really well, a lot better.”  This way it stays positive but they are aware that I am still watching.  This puts me as an authority figure and not trying to be their friend to gain respect, but making them feel like they have earned it. Genius!

Student Teaching Day 14

My Day
Today the jazz bands sight read music and the concert bands worked a lot on tone and scales. 

Instrument techniques
Low Brass
                  -to help get low notes out put lower jaw forward

General Instruction
Jazz
            -Sight reading, have students sing
            -Soloing
-play scale, noodle on their own, quote rhythms or melodies from piece, make phrase, teach rhythm or melodies in each chord change
            -Crescendo through phrase especially repeated patterns
            -Check drums and rhythm section throughout
                        -Make sure drum fills are setting up for the bands notes/entrances
                        -drive with high hat
            -Making long articulations long will help pull tempo back
            -Balance, bass line needs to come out
Band
            -Scales!
-Teach the circle of 4ths/5ths by writing G, C, F, Bb, Eb, Ab, Db, Gb on board and make sure students understand how to transpose and which pitch to start on.  Pattern (scale degree) 1234543212345432123456789876567898765678987654321. Move around circle

Quotes and Other Random Happenings
Other
-Trust students until you have a reason not to, and make sure they hear you say this!
-Write the rehearsal schedule on the board for the week